It's a dreary Sunday in October, and I'm recovering from the cold that knocked me out, well..., cold, on Friday. With my better half gone away over the weekend, the apartment is eerily quiet but for the patter of rain on the windows; it's been drizzling all day. In other words, a perfect day for Bach.
I began by livening up the morning with Gould's recording of Two- and Three-part Inventions; then after lunch I switched to a more autumnal mood with the sombre Cello Suites 1-6 played by Pablo Casals. The late afternoon has been dedicated to Andras Schiff's interpretations of Das Wohltemperierte Klavier. I may follow this with some organ works, but I'm not sure yet if it fits the general mood.
It surprises me every time, that although I have a keen interest in musics of many sorts, there is absolutely nothing like Bach that can fill my entire body with bliss! But it requires the right kind of acoustics and absence of disturbances, so an opportunity like this must not be missed.
(I'll leave Gould's Goldberg variations for another day. I love them, but they would be so cliché.)